MY PERSONAL BIBLIOGRAPHY

All hyperlinks to external sources (brown and underlined) should open in a new window.


 To any visitor to any rock art site: please respect and protect rock art.

NEVER  TOUCH  ANY  ROCK ART  PANEL

 


 My books and papers about rock art

 


My videos about rock art in YouTube


VIDEOS ABOUT SOUTH AMERICAN ROCK ART

 

Peru


Van Hoek, M. 2015. Los Petroglifos de El Olivar, Ancash, Perú. Linked with my paper (2015): Andean Petroglyphs and Yanantin. The Case of El Olivar, Ancash, Peru. In RUPESTREWEB

 

Van Hoek, M. 2015. Los Petroglifos del Valle de Sinsicap, Perú.  Linked with my paper in RUPESTREWEB (2014): An update of the petroglyph art near Simbal, Río Moche, North Peru.


Van Hoek, M. 2014. El caso de la Roca CNG-020, Cerro Negro, Chicama, La Libertad, Perú; Un Análisis Crítico. Linked with my paper in RUPESTREWEB. A critical analysis of the rock art on boulder CNG-020, Cerro Negro, Chicama, La Libertad, Perú.

 

Van Hoek, M. 2014. The Horseman of Alto de Pitis, Peru: A Post-Columbian Outsider in a Pre-Columbian Landscape. Linked with my paper in: Andean Rock Art Papers - Part 1 - Paper 1.


Van Hoek, M. 2016. El 'Hombre-Cóndor' de Miculla y Challatita. Linked with my paper: The Avian Staff Bearer. Upgrading a Controversial Icon in Atacama Rock Art. In: TRACCE - On-Line Rock Art Bulletin.


Van Hoek, M. 2016. El arte rupestre de Motocachy Pampa, Nepeña, Perú. Linked with my book: VAN HOEK, M. 2016. Rock Art of the Nepeña Valley, Peru. Part I: The North Bank. Oisterwijk, Holland.

 

Van Hoek, M. 2016. Los Petroglifos de Chumbenique. Linked with my paper: The Petroglyphs of Chumbenique, Zaña, Peru. In: TRACCE. - On-Line Rock Art Bulletin.


Van Hoek, M. 2016. Los Petroglifos de Chuquillanqui. Linked with my paper: Los Bordes Aserrados de las Rocas de Chuquillanqui, Perú / The Serrated Rock-edges of Chuquillanqui, Peru. In: TRACCE - On-line Rock Art Bulletin.


Van Hoek, M. 2017. Los Petroglifos de Tintín, Sihuas, Arequipa, Perú. Linked with my paper in TRACCE.


 


Chile


Van Hoek, M. 2015. El 'Hombre-Cóndor' de Ariquilda. Linked with my paper: The Avian Staff Bearer. Upgrading a Controversial Icon in Atacama Rock Art. In: TRACCE - On-Line Rock Art Bulletin.



Argentina - La Rioja and San Juan

 

Van Hoek, M. 2014. The petroglyphs of Banda Florida. Linked with my paper in: RUPESTREWEB. VAN HOEK, M. 2011. Banda Florida. An overview of a rock art site in La Rioja, Argentina.


 Van Hoek, M. 2014. The petroglyphs of Palancho.

 

Van Hoek, M. 2014. The rock paintings of Anchumbil.

 

Van Hoek, M. 2014. The petroglyphs of Cerro Toro.

 

Van Hoek, M. 2014. The petroglyphs of Parque Diaguita.


*

Read the comments on my Argentina 2014-videos by three Argentinan scholars:

M. Mercedes Podestá, Diana S. Rolandi y M. Pía Falchi

They criticised me for not being an academic archaeologist, for publishing about rock art in Argentina and for revealing the location of (only) one site (Palancho) in Argentina in a video on the internet. Please also read my reply to their comments.

 

The following publication (2015) and video are my final comments on the whole issue:

 

 Van Hoek, M. 2015. Video: El Arte Rupestre en Ischigualasto y más ...  Linked with my paper: Rock Art at Ischigualasto, and more … Discriminatory Exclusivity Regarding Rock Art Research in Argentina. In: TRACCE: On-line Rock Art Bulletin.

 

VIDEOS ABOUT NORTH AMERICAN ROCK ART

 

Van Hoek, M. 2013: Petroglyphs of Cedar Point, Utah.

 

Van Hoek, M. 2013: Sand Dune Site, Utah.

 


VIDEOS ABOUT AFRICAN ROCK ART

 

South Africa


Van Hoek, M. 2013: Klipfontein Petroglyph Site.

 

Van Hoek, M. 2013: Rock Painting Sites near Modderpoort:

Modderpoort, Orange Springs, Oldenburg, Tandjesberg and an un-named rock art site north of Orange Springs.

 

Van Hoek, M. 2013: Petroglyph sites near Bloemfontein:

Slypsteenberg and Spitskop.

 

Van Hoek, M. 2013: Rock art sites near Ficksburg and Clarens:

Hoekfontein, Moolmanshoek, Wyndford and Schaapplaats 1 and 2.

 

Van Hoek, M. 2013: Petroglyph Sites south of Kimberley:

Thomas’ Farm, Disselfontein, Cristiaansdrift, Driekops Eiland and Vaalpan.

 

Van Hoek, M. 2013: Petroglyph Sites north of Kimberley:

Wildebeest Kuil, Pniel, Doornhoek, Schoolplatz, Stowlands.

 

 

Namibia


Van Hoek, M. 2013: The Rock Art of Twyfelfontein:

The Northwest Plateau.

 

Van Hoek, M. 2013: The Rock Art of Twyfelfontein:

The Southeast Plateau.

 

Van Hoek, M. 2014: The Petroglyphs of Kamanjab.

 

Morocco

 

Van Hoek, M. 2014: The Felines of Foum Chenna.

This video is linked with my paper about Foum Chenna in TRACCE On-Line Rock Art Bulletin.

 

Van Hoek, M. 2015. African Rock Art - Part X - Aït Ouazik, Morocco.

This video is linked with my paper about Aït Ouazik in TRACCE On-Line Rock Art Bulletin.



Van Hoek, M. 2015. African Rock Art - Part XI - Guelta Oukas, Morocco.

This video is linked with my paper about Guelta Oukas in TRACCE On-Line Rock Art Bulletin.


 

Slide shows about rock art

 VAN HOEK, M. 2004. Petroglifos de la costa peruana. PowerPoint Presentation presented by Ing. Rainer Hostnig at the I Simposio Nacional de Arte Rupestre. Cusco, Perú, del 25 al 30 de noviembre, 2004.


 

VAN HOEK, M. 2004. ‘Enigmatic’ quadrupeds in southern African petroglyph art. PowerPoint Presentation presented by Dr. Giriraj Kumar at the 10th International IFRAO Rock Art Congress in Agra, India, November/December 2004, together with my paper ‘Enigmatic’ quadrupeds in southern African petroglyph art.

 



Book Reviews

 

VAN HOEK, M. 2014. A Review of: "Una serpiente y una historia del agua. Notas para un estudio del Alto de las Guitarras", by Cristóbal Campana Delgado (2013). Andean Rock Art Papers; Part 3 - Paper 1.


 

 

My books and papers about rock art

 

 Most of my publications may be downloaded as PDF-files at: Academia

 

Follow me on Academia.edu

 

- Follow me on Research Gate -

 

 

NEW in 2017:

 

115. VAN HOEK, M. 2017.Los Petroglifos de Tintín, Sihuas, Arequipa, Perú. In: TRACCE - On-line Rock Art Bulletin. Linked with my video on YouTube.

 

 

114. VAN HOEK, M. 2016. The Petroglyphs of Chumbenique, Zaña, Peru. In: TRACCE - On-line Rock Art Bulletin. Linked with my video on YouTube: Los Petroglifos de Chumbenique.


113. VAN HOEK, M. 2016. Los Bordes Aserrados de las Rocas de Chuquillanqui, Perú / The Serrated Rock-edges of Chuquillanqui, Peru. In: TRACCE - On-line Rock Art Bulletin. Linked with my video on YouTube: Los Petroglifos de Chuquillanqui.

 


112. VAN HOEK, M. 2016. Kuntur Wasi, Peru: A Case of Architectural Art or Rock Art ? In: TRACCE - On-line Rock Art Bulletin. PDF available in Academia.



111. VAN HOEK, M. 2016. The Frontal Insignia-Tumi: A Rare High-Status Object in Desert Andes Rock Art. In: TRACCE - On-line Rock Art Bulletin. Fully illustrated PDF available at Academia.

 

110. VAN HOEK, M. 2016. Sobre Dibujos de Arte Rupestre (Andino). Una Petición Para Sólo Publicar Dibujos Que Son Científicamente Sólidos. In: TRACCE - On-line Rock Art Bulletin.

 

109. VAN HOEK, M. 2016. Rock Art of the Nepeña Valley, Peru. Part 2: The South Bank - Discussion. Oisterwijk, Holland. This second part of my Nepeña Book is available as one PDF (see my Academia page; click "books").

 

108: VAN HOEK, M. 2016. Rock Art of the Nepeña Valley, Peru. Part I: The North Bank. Oisterwijk, Holland. This first part of my Nepeña Book is available as two PDFs (see my Academia page; click "books").

 

107. VAN HOEK, M. 2016. Icons That Travel. The Enigmatic Traveller in Desert Andes Rock Art. In: TRACCE - on-line Rock Art Bulletin: (45 pages / 48 illustrations, all illustrations available in the PDF at Academia).


106. VAN HOEK, M. 2016. It's all about the head: Morphological basis for cephalic differences in male and female anthropomorphic imagery in Desert Andes rock art. Expression-11; pp. 76 - 81. PDF available at Academia. This PDF includes an addendum about similar rock art images from the Columbian Plateau (USA).

 

105. VAN HOEK, M. 2016. Dotted Zoomorphs in Andean Rock Art. In: Rupestreweb.

 

104. VAN HOEK, M. 2016. El Arpa en el Arte Rupestre Andino. In: TRACCE - on-line Rock Art Bulletin. March-May 2016. English PDF-version available via Academia.

 

103. VAN HOEK, M. 2016. The Avian Staff Bearer. Upgrading a Controversial Icon in Atacama Rock Art. In: TRACCE - On-Line Rock Art Bulletin. Linked with my videos about Ariquilda and Miculla-Challatita.


102. VAN HOEK, M. 2015. The Potash Sheep Shifters. Bighorn Petroglyphs of the Southwest. In: TRACCE - On-Line Rock Art Bulletin.


101. VAN HOEK, M. 2015. 'Climbing Biomorphs' in Andean Rock Art and Beyond. In: RUPESTREWEB.


100. VAN HOEK, M. 2015. The Case of Guelta Oukas. Desecrated Rock Art Panels in the Anti Atlas of Morocco. In: TRACCE - On-Line Rock Art Bulletin. Linked with my video “Le Site Rupestre de Guelta Oukas, Maroc”.


99. VAN HOEK, M. 2015. Rare Petroglyphs of Skeleton-Anthropomorphs in Caravelí, Arequipa, Peru. ADORANTEN-2014. pp. 88 - 96. Underslös, Sweden.


98. VAN HOEK, M. 2015. Andean Petroglyphs and Yanantin. The Case of El Olivar, Ancash, Peru. In: RUPESTREWEB. Linked with my video: Los Petroglifos de El Olivar, Ancash, Perú.

 

97. VAN HOEK, M. 2015. Rock Art at Ischigualasto, and more … Discriminatory Exclusivity Regarding Rock Art Research in Argentina. In: TRACCE - On-line Rock Art Bulletin. Linked with my video: El Arte Rupestre en Ischigualasto y más ...

 

96. VAN HOEK, M. 2014. The Case of Petroglyph Y/VIII/4. Evidence of re-hacking of petroglyphs at Israoun, Yagour (Morocco). Cahiers de l'AARS. Vol. N° 17; pp. 203 - 208.

 

95. VAN HOEK, 2015. Ananta in Caravelí ?  Polycephalic Snakes in Desert Andes Rock Art. In: RUPESTREWEB.

 

94. VAN HOEK, 2015. A new geoglyph (?) in Nepeña, Northern Peru. In: RUPESTREWEB.

 

93. VAN HOEK, 2015. Signs of Infinity at Aït Ouazik, Southern Morocco, and Beyond. In: TRACCE - On-Line Rock Art Bulletin. Linked with African Rock Art video No. X.

 

92. VAN HOEK, 2014. Reflecting (on) Petroglyphs: Two Cases. In: TRACCE - On-line Rock Art Bulletin.

 

91. VAN HOEK, 2014. The shaman, the lord and the warrior: anthropomorphic petroglyphs at Chillihuay, Arequipa, Peru. In: RUPESTREWEB.

 

90. VAN HOEK, 2003. The Cup-and-Ring Art of the British Isles: A Bird’s Eye View. The World of Petroglyphs; CD 9. Warmsroth, Germany.

 

89. VAN HOEK, 2014. The felines of Foum Chenna, Morocco. In: TRACCE - On-line Rock Art Bulletin. Linked with African Rock Art Video No. XIII.

 

88. VAN HOEK, M. 2014. How to draw attention - Anomalies in Animal Orientation: Method and Meaning in Rock Art Studies. Oisterwijk, Holland.

 

87. VAN HOEK, M. 2014. ‘Enigmatic’ Quadrupeds in Southern African Petroglyph Art. Oisterwijk, Holland.

 

86. VAN HOEK, M. 2014. Interpreting a Digitally Restored Petroglyph Panel near Chiza, Región de Tarapacá, northern Chile. In: TRACCE - On-line Rock Art Bulletin.

 

85. VAN HOEK, M. 2014. The Tumi-Bearer of Pampa Grande, Lambayeque, Peru. ADORANTEN-2013. pp. 97 - 109. Underslös, Sweden.

 

84. Van Hoek, M. 2014. A critical analysis of the rock art on boulder CNG-020, Cerro Negro, Chicama, La Libertad, Perú. In: RUPESTREWEB.

A video related to this article is embeded in the RUPESTREWEB paper as: El caso de la Roca CNG-020, Cerro Negro, Chicama, La Libertad, Perú; Un Análisis Crítico

 

83. VAN HOEK, M. 2014. The Motocachy Pampa Disaster, Peru. In: RUPESTREWEB.

 

82. VAN HOEK, M. 2014. The Motocachy Pampa Disaster, Peru. In: TRACCE - On-line Rock Art Bulletin.

 

81. VAN HOEK, M. 2014. An update of the petroglyph art near Simbal, Río Moche, North Peru. In: RUPESTREWEB.

 

80. VAN HOEK, M. 2013. A Petroglyph Panel from Socospampa, Caravelí, southern Peru. Privately published as: Andean Rock Art Papers - Part 2 - Paper 1.

 

79. VAN HOEK, M. 2013. The Horseman of Alto de Pitis, Peru: A Post-Columbian Outsider in a Pre-Columbian Landscape. Privately published as: Andean Rock Art Papers - Part 1 - Paper 1. A video related to this article is found on YouTube.

 

78. VAN HOEK, M. 2013. The Carcancha and the Apu. Rock Art in the Death Valley of the Andes. In: RUPESTREWEB.

 

77. VAN HOEK, M. 2013. Santa Rita, a Petroglyph Site in the Chao Valley, Northern Peru. In: RUPESTREWEB.

 

76. VAN HOEK, M. 2013. A new (?) geoglyph in the Department of Arequipa, Peru. Un geoglifo nuevo (?) en el departamento de Arequipa, Peru. In: RUPESTREWEB.

 

75. VAN HOEK, M. 2013. The Carcancha and the Apu. Rock Art in the Death Valley of the Andes.  Oisterwijk, The Netherlands. PRIVATELY PUBLISHED. PDF-copy of this book available on request.

 

74. VAN HOEK, M. 2013. Commenting on “Las quilcas de Huancor, nuevas hipótesis sobre su cronología y asociación cultural”. In: RUPESTREWEB.

 

73. VAN HOEK, M. 2013. The case of Panel 3 - Bloque 69 - Ariquilda-1, Chile. In: RUPESTREWEB.

 

72. VAN HOEK, M. 2012. Rumimantam Llaqllasaq Wirpuykita: The ‘Cycle of Life’ in the Rock Art of the Desert Andes. Oisterwijk, The Netherlands. PRIVATELY PUBLISHED. PDF-copy of this book available on request.

 

71. VAN HOEK, M. 2012. Cerro Mulato: Rock Art of the Reque-Chancay Drainage, Peru. Oisterwijk, The Netherlands. PRIVATELY PUBLISHED. PDF-copy of this book available on request.

 

70. VAN HOEK, M. 2012. Andean rock art and apophenia: from the macro to the micro. In RUPESTREWEB.

 

69. VAN HOEK, M. 2012. Cerro Mulato: el caso de Piedra 274. In RUPESTREWEB.

 

68. VAN HOEK, M. 2011. Petroglyphs of Peru - Following the Footsteps of Antonio Núñez Jiménez. Oisterwijk, The Netherlands. PRIVATELY PUBLISHED. PDF-copy of this book available on request.

 

67. VAN HOEK, M. 2011. Aldea de Ramaditas, Chile: Architectural Art or Rock Art? In: RUPESTREWEB.

 

66. VAN HOEK, M. 2011. Cerro Pano: A violated and endangered rock art site in Southern Perú. In: RUPESTREWEB.

 

65. VAN HOEK, M. 2011. Bogotalla, Perú: How the three-dimensionality of a boulder may explain the occurrence of two-dimensional petroglyphs on that rock. In: RUPESTREWEB.

 

64. VAN HOEK, M. 2011. Banda Florida. An overview of a rock art site in La Rioja, Argentina. In: RUPESTREWEB.

 

63. VAN HOEK, M. 2011. The Chavín Controversy - Rock Art from the Andean Formative Period. Oisterwijk, The Netherlands. PRIVATELY PUBLISHED. PDF-copy of this book available on request.


62. VAN HOEK, M. 2010. Mogollon Rock Art and the Status of the ‘Flute Player’. In: PROCEEDINGS OF THE XV WORLD CONGRESS UISPP. Lisbon. BAR International Series. pp. 161 - 173. Archaeopress, Publishers of British Archaeological Reports, Oxford, England.

 

61. VAN HOEK, M. 2010. ‘Trophy’ heads in the rock art of the Majes Valley, Perú: exploring their possible origin. In: RUPESTREWEB.


60. VAN HOEK, M. 2010. The ambiguity of depressions in rock art. In: Mysterious Cup Marks. PROCEEDINGS OF THE FIRST INTERNATIONAL CUPULE CONFERENCE. Ed. Roy Querejazu Lewis. BAR International Series 2073, pp. 89 - 98. Archaeopress, Publishers of British Archaeological Reports, Oxford, England.


59. VAN HOEK, M. 2010. Additional petroglyph rocks at Cochineros, Valle de Mala, Perú. In: RUPESTREWEB.


58. VAN HOEK, M. 2009. Egyptian temple petroglyphs. SAHARA. Vol. 20; pp. 171 - 176. Milano, Italia.


57. VAN HOEK, M. 2008. Possible interpretation of a set of petroglyphs from Sakkaka, Saudi Arabia. ROCK ART RESEARCH. Vol. 25-2; pp. 222 - 223. Melbourne, Australia.

56. VAN HOEK, M. 2007. Petroglifos Chavinoides cerca de Tomabal, Valle de Virú, Perú. BOLETÍN DE SIARB. Vol. 21; pp. 76 - 88. La Paz, Bolivia.

55. VAN HOEK, M. 2007. A re-evaluation of the 'monkey' petroglyph at the Quebrada de San Juan, Peru. ROCK ART RESEARCH. Vol.24-2; pp. 255 - 257. Melbourne, Australia.


54. VAN HOEK, M. 2007. Atypical cupules at two rock art sites in Southeastern Utah. AMERICAN INDIAN ROCK ART. Vol. 33; pp. 105 - 116. American Rock Art Research Association. Don D. Christensen and Peggy Whitehead, Editors.


53. VAN HOEK, M. 2006. Toro Muerto, Perú. Posibles alteraciones prehistóricas en detalles de petroglifos. In: RUPESTREWEB. Traducción de Diego Martinez Celis especial para Rupestreweb. Publicado originalmente en: ADORANTEN 2005, the Journal of The Scandinavian Prehistoric Society, Underslös, Sweden.


52. VAN HOEK, M. 2005. Toro Muerto, Peru: Possible Prehistoric Deletion of Petroglyph Details. ADORANTEN 2005. pp. 73 - 80. Underslös, Sweden.

 

51. VAN HOEK, M. 2005. Los Petroglifos de Muralla y Pakra, Valle de Pisco, Perú. BOLETÍN DE SIARB, Vol. 19; pp. 28 - 37. La Paz, Bolivia.

 

50. VAN HOEK, M. 2005. The ‘sitting’ zoomorph in Saharan rock art. SAHARA. Vol. 16; pp. 181 - 189. Milano, Italia.

49. VAN HOEK, M. 2005. Biomorphs ‘playing a wind instrument’ in Andean rock art. ROCK ART RESEARCH. Vol. 22-1; pp. 23 - 34. Melbourne, Australia.

48. VAN HOEK, M. 2004. The stepped-fret motif in American rock art: an attempt at tracing origin and meaning. THE ARTIFACT. Vol. 42. pp. 75 - 91. El Paso Archaeological Society. El Paso, Texas.

47. VAN HOEK, M. 2004. New cupule site in the Free State, South Africa. ROCK ART RESEARCH. Vol. 21-1; pp. 92 - 3. Melbourne, Australia.

46. VAN HOEK, M. 2004. Late Iron Age game boards and other motifs near Clarens, Eastern Free State. THE DIGGING STICK. Vol. 21 (1); pp. 5 - 7. The South African Archaeological Society. Vlaeberg, South Africa.

 

45. VAN HOEK, M. 2003. El círculo, el ciervo y la trampa: grabados de cuadrúpedos en rocas con combinaciones circulares en Europa. BRIGANTUM. Vol. 14; pp. 75 - 88. La Coruña, España.

44. VAN HOEK, M. 2003. Upside-down bird petroglyphs near Arica, Chile. Imitating earlier rock art symbolism? ALMOGAREN XXXIV - 2003. pp. 265 - 268. Wien, Austria.

43. VAN HOEK, M. 2003. The rock art of Toro Muerto, Peru. ROCK ART RESEARCH. Vol. 20-2; pp. 151 - 170. Melbourne, Australia.

42. VAN HOEK, M. 2003. Tacitas or cupules? An attempt at distinguishing cultural depressions at two rock art sites near Ovalle, Chile. In: RUPESTREWEB.


41. VAN HOEK, M. 2003. Rock Art of Twyfelfontein, Namibia. A survey into the relationship between animal engravings and cupules. THE BRADSHAW FOUNDATION.

 

40. VAN HOEK, M. 2003. The Saharan ‘girafe a lien’ in rock art: Domesticated giraffe or rain-animal? Comparing enigmatic giraffe petroglyphs from the Sahara and Namibia. SAHARA. Vol.14; pp. 49 - 62. Milano, Italia.

 

39. VAN HOEK, M. 2002. New cupule rock art at Twyfelfontein, Namibia. ROCK ART RESEARCH. Vol. 19-2; pp. 136 - 137. Melbourne, Australia.

38. VAN HOEK, M. 2002. The Rosario birds - possible indications of El Niño disasters in the Chilean Atacama Desert. ALMOGAREN. VOL. XXXII-XXXIII; pp. 303 - 328 / 2001-2002. Wien, Austria.

37. VAN HOEK, M. 2002. Symbiosis in rock art. A rare example in the Atacama Desert of northern Chile. ADORANTEN 2002. pp. 55 - 62. Underslös, Sweden.

36. VAN HOEK, M. 2002. A survey into shaman-related rock art of the Atacama Desert, Chile. STONEWATCH. Vol. 7; pp. 5 - 18. Warmsroth, Germany.

 

35. VAN HOEK, M. 2001. The Geography of Cup-and-ring Art in Europe. PRIVATE PUBLICATION. Oisterwijk, The Netherlands.

In August 2000 I finished my book ‘THE GEOGRAPHY OF CUP-AND-RING ART IN EUROPE’. Shortly after that date I arranged the book to be published and distributed on CD-ROM via Josef Otto of Stonewatch. We agreed that universities would be offered a free copy of the book as PDF file on CD-ROM. All other people interested would have to purchase a copy (in PDF format via Stonewatch – as a WORD document via me). In an earlier version of the relevant web page of Stonewatch, Otto indeed offered the CD as: VAN HOEK, M. 2001. The Geography of Cup-and-ring Art in Europe. The World of Petroglyphs Special CD-ROM, 8.

However, in September 2005 I noticed to my surprise that WITHOUT MY KNOWLEDGE NOR MY PERMISSION the book was deleted from that web page and was now on offer on the Internet as a free download PDF document. I was never asked if I would agree with this procedure. Because I do not know how long this free download service has been going on, I leave this matter as it is, but I regret that some people may get the impression to have been misled because of the indecent and inappropriate actions of Josef Otto / Stonewatch. As there are at least two websites offering a free download of my work, I offer a link to one of those websites. In this way everyone has the opportunity to download my book for free WITH MY PERMISSION. Further, I would greatly appreciate if anyone would be so kind to refer to this work as:

VAN HOEK, M. 2001. The Geography of Cup-and-ring Art in Europe. Private Publication. Oisterwijk, The Netherlands.
 

34. VAN HOEK, M. 2001. The hidden gods of Chiuchiu. Boletin-e AZETA. Museo Arqueológico San Miguel de Azapa, Arica, Chile.

 

33. VAN HOEK, M. 2001. The stepped diamond in Andean rock art. ROCK ART RESEARCH. Vol. 18-2; pp. 96 - 100. Melbourne, Australia.

32. VAN HOEK, M. 2000. El Valle del Sol; Petroglyphs in the Coquimbo Region, Chile. ADORANTEN 2000. pp. 69 - 75. Underslös, Sweden.


31. VAN HOEK, M. 2000. Rapa Nui cupules; voices of a disintegrating society ? ROCK ART RESEARCH. Vol. 17-2; pp. 99 - 110. Melbourne, Australia.

 

30. VAN HOEK, M. 2000. Fish Petroglyphs at ‘Ava ‘o Kiri, Rapa Nui: An approximation of a remarkable rock art site at Easter Island. RAPA NUI JOURNAL. Vol. 14 (1); pp. 13 - 17. Los Osos, California.

 

29. VAN HOEK, M. 2000. Galician axe-heads (Galizische Axtschneiden). STONEWATCH. Vol. 5; pp. 12 - 15. Warmsroth, Germany.

 

28. VAN HOEK, M. 1999. Rock art, lines and landscape. In: ACTAS CONGRESO INTERNACIONAL DE ARTE RUPESTRE EUROPEA. CD-ROM. Vigo, Spain.

27. VAN HOEK, M. 1999. Radial grooves; symbolic paths in cup-and-ring art. STONEWATCH. Vol. 4; pp. 8 - 10. Warmsroth, Germany.


26. VAN HOEK, M. 1998. Arte rupestre en Gargamala (Mondariz) – Nuevos petroglifos y consideraciones. CASTRELOS. Vol. 11; pp. 95 - 113. Vigo, España.

25. VAN HOEK, M. 1998. Instances of respect and disregard in European rock art. ADORANTEN 1998. pp. 50 – 59. Underslös, Sweden.

24. VAN HOEK, M. A. M. 1997. Petroglyphs of South East Monaghan, Ireland. ADORANTEN 1997. pp. 39 - 45. Underslös, Sweden.

23. VAN HOEK, M. A. M. 1997. El arte Neolitico de las Islas Britanicas: Un fascinante legado cultural. ARQUEOLOGIA SIN FRONTERAS. Vol. 1; pp. 36 – 42. Madrid, España.

22. VAN HOEK, M. 1997. The distribution of cup-and-ring motifs along the Atlantic seaboard of Europe. ROCK ART RESEARCH. Vol. 14-1; pp. 3 - 17. Melbourne, Australia.


21. VAN HOEK, M. A. M. 1996. The cross-symbol associated with prehistoric rock art in the British Isles. SURVEY 1993-1996. Vol. VII-X; 9-12; pp. 75 - 90. Pinerolo, Italia.

20. VAN HOEK, M. A. M. 1996. Prehistoric rock art around Castleton Farm, Airth, Central Scotland. FORTH NATURALIST AND HISTORIAN. Vol. 19; pp. 103 - 113. Stirling, Scotland.


19. VAN HOEK, M. 1995. The keyhole pattern in the prehistoric rock art of Ireland and Britain. JOURNAL OF THE WESTPORT HISTORICAL SOCIETY. Vol. 15; pp. 15 - 25. Westport, Ireland.

18. VAN HOEK, M. 1995. Morris’ Prehistoric Rock Art of Galloway. BOOK PRIVATELY PUBLISHED. Oisterwijk, Holland. Out of print.


17. VAN HOEK, M. A. M. 1993. The prehistoric rock art of the Boheh Stone, Co. Mayo. JOURNAL OF THE WESTPORT HISTORICAL SOCIETY. Vol. 13; pp. 1 – 15. Westport, Ireland.

16. VAN HOEK, M. 1993. The spiral in British and Irish Neolithic rock art. GLASGOW ARCHAEOLOGICAL JOURNAL. Vol. 18; pp. 11 - 32. Glasgow, Scotland.


15. VAN HOEK, M. A. M. 1993. Addenda to the prehistoric rock art of Co. Donegal. ULSTER JOURNAL OF ARCHAEOLOGY. Vol. III-56; pp. 179 - 180. Belfast, Northern Ireland.

14. VAN HOEK, M. A. M. 1993. Early Christian rock art at Clehagh, Co. Donegal. ULSTER JOURNAL OF ARCHAEOLOGY. Vol. III-56; pp. 139 - 147. Belfast, Northern Ireland.

13. VAN HOEK, M. A. M. 1991. A survey of the prehistoric rock art of the Port of Menteith parish, Central Scotland. FORTH NATURALIST AND HISTORIAN. Vol. 15; pp. 58 - 75. Stirling, Scotland.


12. VAN HOEK, M. 1990. The rosette in British and Irish rock art. GLASGOW ARCHAEOLOGICAL JOURNAL. Vol. 16; pp. 39 - 45. Glasgow, Scotland.


11. VAN HOEK, M. A. M. 1989. The rock art at Millstone Burn, Northumberland. ARCHAEOLOGIA AELINA. Vol. 5-XIX; pp. 7 - 16. Newcastle, England.

10. VAN HOEK, M. 1988. Possible ‘axe-head’ carvings at Knock, Wigtownshire. TDGNHAS. 3rd series. Vol. LXIII. Dumfries, Scotland.

 

9. VAN HOEK, M. & SMITH, C. 1988. Rock carvings at Goatscrag Shelters, Northumberland. ARCHAEOLOGIA AELIANA. Vol. 5-XVI; pp. 29 - 35. Newcastle, England.


8. VAN HOEK, M. A. M. 1988. The prehistoric rock art of County Donegal, Part II. ULSTER JOURNAL OF ARCHAEOLOGY. Vol. 51; pp. 21 – 47. Belfast, Northern Ireland.

 

7. VAN HOEK, M. A. M. 1987. The prehistoric rock art of County Donegal, Part I. ULSTER JOURNAL OF ARCHAEOLOGY. Vol. 50; pp. 23 – 46. Belfast, Northern Ireland.


6. MORRIS, R. W. B. & VAN HOEK, M. A. M. 1987. Rock carvings in the Garlieston Area, Wigtown District. TDGNHAS. Vol. 3-LXII; pp. 33 - 39. Dumfries, Scotland.


5. VAN HOEK, M. A. M. 1987. Further notes on the prehistoric rock art of Galloway. TDGNHAS. Vol. LXII; pp. 9 - 21. Dumfries, Scotland.

 

4. VAN HOEK, M. A. M. 1986. The prehistoric rock art of Galloway: a report of some new finds in the Withorn Peninsula and a review of the rock art at High Banks, Kirkcudbright. TDGNHAS. Vol LXI; pp. 20 - 40. Dumfries, Scotland.


3. VAN HOEK, M. A. M. & VAN HOEK, E. E. M. 1985. A new group of cup and ring rocks in Inishowen, Co. Donegal. ULSTER JOURNAL OF ARCHAEOLOGY. Vol. 48; pp. 123 - 127. Belfast, Northern Ireland.


2. VAN HOEK, M. A. M. 1985. The destroyed rock art site at Ballinloughan, County Louth. CLAHJ. Vol.XXI-1; pp. 72 - 77.

 

1. VAN HOEK, M. A. M. 1982. The carved rocks near Wooler. PRIVATELY PUBLISHED. Oisterwijk, Holland. Out of print.







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I  HAVE  SURVEYED  ROCK ART  IN  THE  FOLLOWING  COUNTRIES

since 1975

 


 


 

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